Sunday, May 31, 2009

for what it's worth #3

"Without change, something sleeps inside us, and seldom awakens. The sleeper must awaken."
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Frank Herbert

Tuesday, May 26, 2009

JUSTICE IS BLIND IN AMERICA

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MY LIFE AS A GAY WOMAN IS BEING DETERMINED BY OTHERS

Sunday, May 24, 2009

Sunday, May 17, 2009

for what it is worth #1

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"You could have golden treasure buried beneath your feet, and walk over it again and again, yet never find it because you don’t realize it is there. Just so, all beings live every moment in the city of the Divine, but never find the Divine because it is hidden by the veil of illusion.”


The Upanishades





Friday, May 15, 2009

seahorse


A relatively calm, and mild-mannered creature, the seahorse is seemingly content to roam the seas. Their bodies are geared for ambling-type motion - not for speed. Thus, they are symbolic of patience and contentment - they are happy with being where they are, and are in no hurry for advancement.

Further testimony to these attributes is the lack of evolution of the seahorse’s body style. They have remained with this body style without change since their inception. Content to be who they are, and not feeling the need to change - these are a few profound lessons the seahorse provides us.

However, along with a resistence to change, and a carefree approach to progress, the seahorse can be a symbol of inflexibilty or stubborness. To wit, the seahorse wraps its tail around the nearest object in order to anchor itself in turbulent waters. This is a lesson to be persistent in our goals, but be mindful that we are not too inflexible or stubborn in our achieving them.

A unique aspect of the seahorse is that the male is impregnated by the female and carries the offspring to term. This is a message of sharing the load in the home, and gaining perspective of both sides (genders) of an argument or situation.

The seahorse has a boney exoskeleton which is a message of protection. Often when the seahorse comes to us it is a sign that we either need protection from our external circumstances, or we are building walls that aren’t needed. Their armor-bodies are a sign that sometimes we might need to let our guard down - or perhaps we are leaving too open to get hurt.

Lastly among the long list of symbolic meaning of the seahorse and its lessons is the idea of perception. The eyesight of the seahorse is incredibly sharp, and each eye moves independently. We take this as a symbolic message of perception and awareness of those around us and our situations. When we are lost or confused, the seahorse asks us to take a good look around - not just with our physical eyes but with our spiritual eyes in order to get a better persepective of the situations.

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Tuesday, May 12, 2009

uno scorcio di vita

PhotobucketIt was 2:45 and Sister Margaret was chatting away at the junior class, which should have been dismissed 15 minutes earlier. Sugar tensely sat on the edge of her seat. Her teeth hurt because her mouth was glued shut. She felt the pain up into her palate and practically into her ears. Her right calf held the weight of her tiny frame while her left buttock was slightly raised from her seat in anticipation of sprinting from the chair. She firmly held the handle of her cherished music case in her right hand. Sugar’s brain was telling the nun to just finish-shut up. Panting! On your mark, get ready, set, now go!

There was a train to catch!

As Sister Margaret rambled on about the ticket competition Sugar mentally reviewed the path she would take to the train station. First, she had to get out of the school. It was late; it was a problem. She’d have to take a chance and sneak out the senior exit in order to catch the 3 o’clock. Otherwise, she’d have to run through the interior of all three buildings.

Sugar usually had enough time to leave through the ‘workers’ door and leisurely walk to the train. However, pin-chin Margaret had stopped in “just for a sec.”

Miss Auditore, the homeroom teacher, was patiently sitting, listening to pin-chin with her hands demurely folded on her lap. She mechanically nodded like a puppet from one side of the classroom to the other with a wide unconscious smile on her lips.

It was 2: 53 she would have to chance the senior ‘queen bee’ exit. If she were caught, got a demerit, she’d deal with it later. Her voice lesson was at four at the Ansonia Hotel in Manhattan. If she missed the express, she would have to take locals all the way down town.

She’d never make it on time. Maestro Polumbo was a professional coach and like many of the other musicians who lived at the historic hotel, his coaching was his livelihood. If you scheduled a lesson-you paid, no matter what.

The rain was smacking at the large classroom windows. The day had lost its April brightness: No hat, no raincoat, only a school blazer.

“Class dismissed,” said pin-chin. Did she have the check? Panic! Sugar unclasped her case, felt in the pocket for the $15 check, snapped it shut, then like a cat, slid from her seat and ran.

Not breathing, she hoped her deflated lungs would allow her to pass more easily through the horde of chattering girls.

The rough seam of the leather handle carved its way into her palm.

Fumbling for a token from her blazer pocket, she escaped, nose-up out of the senior exit.

“Hey, Sugar,” yelled a familiar voice. Defiantly, she continued.

As she splashed through the puddles, the huge clock over the train station came into view. Always slow, it read 3:08. No chance.

Hoping that it looked like rain, she wiped away her tears as she settled on the 3:20 local.

The singing lessons with Maestro were a sacrifice for her parents. Perhaps there would be a miracle today: no one scheduled after her. It had never happened.

She snuggled against the cold metal wall, shivering.

The uniform was a problem. When she was young, no one bothered her because she was with her mom. Now she was a teenager. Guys liked to tease girls in uniform.

“Hey, little girl” whispered what was known as a ‘greaser’ who had just taken the spot standing directly in front of her. He winked and smiled as his knee began to rhythmically hit hers with the tilt of the train.

“You want some candy?” he said as he nudged his friend in the ribs while they laughed.


Though she left the train before them, she had not gone unscathed. He had managed to get his knees between hers at least twice. However, she had remained calm and dignified, just like mom had taught her. As the train hobbled along, she sat with closed eyes, mentally singing the Puccini aria she had so diligently rehearsed.

Sugar wanted to surprise her coach. She had repeatedly concentrated on the most difficult passages while singing in the mirror daring her chin to stiffen or her diaphragm to fall or her tongue to lift from the back of her bottom teeth. The soprano had angrily pointed a finger at the mirror and chided the face for lacking concentration and sometimes-even talent.

Today Maestro would hear the fruits of her labor. She would support her high pianissimo notes with a calculated slow stream of air that started with a strong abdominal hold, which carried her breath to the ‘tippy tippy top of the head’ as Maestro would say. Interpreting from the heart, Sugar would create a jewel!

It was pouring. However, the treasured case was protected under her half-open blazer. She lifted her face to the rain. Her long auburn hair was sopping. She could see the reflection of black mascara rolling down her cheek-she was a martyr.

“Mi dispiace-I am sorry-only ten minutes left,” said Maestro with sincerity.

The soprano stood at the Steinway vocalizing while drying her face with the ever-present tissues that were kept for fits of hysteria known so well to singers. Half- way through her piece, the red signal-light flashed throughout the studio.

Maestro arose from his piano bench. "Mi dispiace."

In silent resignation, Sugar took her music from the stand, slid it into the case, handed Maestro the check and smiled at the dear man as he shrugged his shoulders. As they walked to the door, he suddenly turned, caressed her chin and chuckled. "Uno scoricio di vita!" "Just a slice of life!"

Copyright © 2009 m.m.sugar

Wednesday, May 6, 2009

Feeding Baby Tina

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The Fanellies lived downstairs in the largest part of our old Victorian house. There was Frank, his wife Anna-Maria, three boys: two older ones, Joey and Carmine and then there was Giorgio, the ten year old. Giorgio was short and fat and looked like an unbaked loaf of Italian bread. Belinda was thirteen, had stringy black hair like her Mother, and was so ugly that my mother told me to pray for her.

Somehow, I didn’t think my prayers would work.

Everybody in the family had dark black hair and I mean black: Except for Marialana their oldest daughter, the college student, who was the only one who ever got sunburned because she had pink skin and blond hair.

I was not yet in school when my mother sat me down one day.

“Oh!” she said with a smile on her face while my grandmother was saying, "vergogna” under her breath to the back of my mother’s head.

Vergogna means shame.

“Oh.” said Mommy and Grandma said “vergogna” again. My mother threw her hands up in the air and then they landed on her hips. She looked at my grandma and gave her what we called a dirty look.

I looked from my mother to grandma and back to Mommy again. What did I do? Of what was I to be ashamed? I sat up straight, ready to take my medicine for whatever crime I had committed.

You didn’t always know until they told you.

“Momma!” Said Mom without looking back at Grandma. “Can you please …?” Just then, we heard Grandpa banging his walking stick on our kitchen ceiling and Grandma went upstairs.

“Well guess what has happened?” continued Mom.

I hunched my shoulders.

“Marialana is coming back from school!”

I was very young; not quite six, but I knew things. I wasn’t sure what things I knew: but I knew things!

I was trying to figure out how they were gonna blame this on me: Marialana coming home from school!

I sat there in total acceptance, smiling.

“And guess what?” said Mom. “Well, guess, guess!”

Squirming in my chair, my mind was blank. “What Mommy?”

“Marialana is bringing home a surprise!" And she clapped her hands.

Well surprise, surprise! Marialana’s surprise was the Fanellies “vergogna”: a child born out of wedlock. I overheard Grandma say to Mom. “It is a sin, paid for by a sin, paid for by a sin. Tragedia!”

Though Grandma eschewed Marialana and her baby, my mother embraced them especially after Anna-Maria had a life-altering stroke soon after baby Tina was brought home. “Payment for the first sin!” said Grandma.

I had no idea what that meant!

I often went downstairs with Mom to visit Marialana and Tina. Sometimes I was allowed to give her her bottle. My mother sat on the couch with me, held me while Marialana slept in my arms and helped me prop the baby’s bottle under her chin when she cried for milk. It felt nice.

By the time I started school, Tina was in a highchair, and I visited her often. Even Grandma had become helpful because Marialana was taking care of her entire family, which included her bedridden mother as well as Tina.

Tina was fun. She had lots of toys and sometimes after school while Marialana cleaned the house and washed cloths she gave me five cents for playing with Tina, changing her diaper and feeding her. Mom taught me how to feed her with her pink plastic spoon. You know, “here comes the choo choo train open up and eat.” She was a real good eater, especially for me. I spent most of my weekends with Tina. I loved her, she became my real live baby doll.

I was especially proud when Tina got chubby because Mommy said that I was doing a good job feeding her. Her cheeks were pink. “See how pink and chunky her cheeks are? Ooh! Look at that chubby little tummy!” Mommy would pinch Tina’s tummy, which I didn’t like because I was afraid that it hurt her.

I wanted to pinch Mommy’s tummy!

As time went by Tina got chubbier and chubbier and I was prouder and prouder.

Then one Saturday afternoon mom asked, “Where are you going?”

She knew where I was going, downstairs! “I’m gonna go play with Tina.”

“She’s not there.”

“Why not? Where is she?”

“Now mind your own business little missy. Just go off and play now. I have sewing to do and there is dinner to be cooked. Play with your dolls.” Then Mommy had a lightening flash. “Go play with your sister!”

That’s when I knew that something was very very wrong. Yet, I dared not ask any more questions.

I listened for sounds. Mr. Fanelli and the older boys were home. You get used to people. When you live above them, you know who is banging the side door and who is playing a particular piece of music. You even know who is cooking the sauce because people use different herbs and things. I saw Giorgio come home late from playing ball but didn’t know that Belinda was home until I heard Gogo, as we called Giorgio, and Belinda screaming at each other around eight-thirty at night.

No Marialana sounds and no Tina sounds. I cried myself to sleep.

On Monday afternoon, I saw Marialana walking into the house with her brother Joey’s arm around her shoulder. Her head was down and her hair was messy.

I knew that Tina was dead.

“Guess what?” said Mommy when I ran upstairs. She knew that I knew! I could tell in her eyes. She looked guilty! Grandma's head was bent low on her chest. I could tell that she had been crying. She said under her breath, "it's the circle."

“Tina has gone to heaven to rest in God’s arms! Isn’t that wonderful?” said my mother. I just looked at her. For some reason I hated her, I wanted to kill her, and I blamed her for Tina’s death until she said. “You did such a great job of taking care of her, chubby and all, that God decided that you made her so perfect that he wanted her to go be with him in heaven!”

My mother had not killed Tina.I had.

Sometimes I would go downstairs to visit Marialana. I wanted to tell her that I was sorry, that I didn’t mean to kill Tina. However, all I did was help Marialana clean the dishes: stuff like that.

One day she said to me, “Do you really want to come down here even though Tina isn’t here anymore?

She was wearing a pink robe. It was dirty and she had it stretched across her body with her arms tight against her chest. Her hair and nails were dirty. Her face was red and puffy.

I was very very sorry, but I never did apologize.

Copyright © 2009 m.m.sugar